BIPOC filmmaker. NFB's special programs:.Reel Diversity. Agency - English program:.North West Centre. Agency:.The Reel Diversity Competition is a National Film Board of Canada initiative in partnership with CBC and CBC Newsworld.

Writer, Dana Inkster ; director, Dana Inkster ; producer, Bonnie Thompson ; editor, Paul Mortimer ; consultant, Gil Cardinal ; camera, Tom Couchman, Daron Donahue, Lisa Fryklund, Sidney Bailey, Morton Molyneux, Shaun Henning, Patrick McLaughlin ; location sound, Gary Bruckner, Mike Myrden, Igal Petel, Jamie Kidd ; photography, Brad Wrobleski ; original music, Kory Lowe ; executive producer, Graydon McCrea, Derek Mazur.

Narration, Clifton Joseph.

Recorded 2007.

In a decade, tiny Brooks, Alberta has been transformed from a socially conservative, primarily Caucasian town to one of the most diverse places in Canada. Hijabs have become commonplace, downtown bars feature calypso and residents speak 90 different languages. Immigrants and refugees have flocked here to work at Lakeside Packers - one of the world's largest slaughterhouses. Centring on the 24 days of the first-ever strike at Lakeside, this film is a nuanced portrait of people working together and adapting to change. They are people like Peter Jany Khwai, who escaped war in Sudan, wears an African shirt and a cowboy hat, and affirms his Canadian identity as well as his determination to fight for his rights. Or Edil Hassan, a devout Muslim born in Somalia, who counts her hours of organizing and picketing among her proudest moments. As 24 Days in Brooks shows, people from widely different backgrounds can work together for respect, dignity, and change - even though getting there is not easy. 24 Days in Brooks was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.

Mode of access: World Wide Web.

Best Production Reflecting Cultural Diversity, 2008

Description based on online resource; title from title screen (National Film Board of Canada, viewed 2023-08-10).